The 20 scenes of the second season were enlivened generally by Dong Yang, except for three done by Studio Junio ("A Bullet for Bullock", "Avatar" and "Child Doll") and one done by Jade Animation ("The Terrible Trio").[17]
The show additionally emphasized various adjustments of different Batman funnies stories through the years to when the show was handled. The accompanying scenes were adjustments:
"The Cape and Cowl Conspiracy" was an adjustment of "The Cape and Cowl Death Trap!" from Detective Comics #450 August 1975, composed by Elliot S. Maggin.
"The Strange Secret of Bruce Wayne" was focused around the comic stories "The Dead Yet Live" and "I Am the Batman!" from Detective Comics #471 and #472, of August/September 1977 by Steve Englehart.
"Moon of the Wolf" is focused around the comic story of the same name by scholar Len Wein with workmanship by Neal Adams, from Batman #255, April 1974.
"In case You're So Smart, Why Aren't You Rich?" is a detached adjustment of "The Riddler!" from Detective Comics #140, October 1948
Also an immediate adjustment is the two-part scene "The Demon's Quest", focused around "Girl of the Demon" from Batman #232, June 1971, and "The Demon Lives Again" Batman #244, September 1972, likewise by Dennis O'neil and Neal Adams. Acclaimed for presenting one of Batman's deadlier adversaries; Ra's al Ghul, father of Talia.
The scene "The Laughing Fish" was focused around three Batman funnies, mixed together; "The Joker's Five-Way Revenge" from Batman #251 September 1973 by Dennis O'neil with symbolization by Neal Adams, emulated by "The Laughing Fish" and "Indication of the Joker!" from Detective Comics #475 and #476, of February/March 1978, both by journalist Steve Englehart with craft by Marshall Rogers. Throughout a spotlight podcast from Comic-Con 2007, Paul Dini clarified that the motivation behind why the scene consolidated those stories was on account of the show's inventors couldn't adjust them independently, on the grounds that their substance and topical components would not have been cleared by the edits.
Part 1 of "Robin's Reckoning" takes its prompts from Detective Comics #38 June 1940.
The scene "Fear in the Skies" is approximately focused around "Man-Bat Over Vegas", initially introduced in Detective Comics #429, by Frank Robbins. The setting has been moved from Las Vegas to Gotham Harbor, and in keeping with the family-accommodating rating of the TV program, She-Bat is not a vampire in the adjustment. The last line of the scene, "the bad dream's at long last over", is like one of the last lines from the first comic, "Now Fran's vampire bad dream is about over".
"A Bullet for Bullock" is focused around the comic of the same name from Detective Comics #651, October 1992, by Chuck Dixon.
The gimmick film Mask of the Phantasm is l
The scene "Practically Got 'Im" seems, by all accounts, to be affected by a four-issue story bend in Batman (1977) #291-294, entitled "Where Were You on the Night Batman Was Killed?". In each of the four issues, one of Catwoman, Lex Luthor, Riddler, and Joker all describe their cases to have executed the Batman. Be that as it may, the plot for "Practically Got 'Im" is truly diverse (six stories in the show, and four totally distinctive ones in the comic book), with just the Joker as a covering hero.
Two-Face's procedure in "Very nearly Got 'Im" (strapping down Batman to a monster coin and flipping the coin buzzing around) was taken from the comic; World's Finest Comics #30, September 1947. In a move down story both Batman and Robin were fixed to a titan penny that was launch onto spikes by a lesser known scoundrel the Penny Plunderer.
The scene "Errand in Crime Alley" is focused around "There Is No Hope in Crime Alley" from Detective Comics #457 (March 1976) by Dennis O'neil and Dick Giordano.
The scene "Sideshow" is inexactly focused around "A Vow From the Grave" by Dennis O'neil. This scene adjusted the comic book story with the consideration of a different Killer Croc story.
The scene "Dreams in Darkness" is inexactly focused around "Batman: The Last Arkham" of Batman: Shadow of the Bat #1-4 by Alan Grant. This scene adjusted the comic book story with the consideration of the Scarecrow rather than Victor Zsasz and Dr. Bartholomew rather than Jeremiah Arkham.
Gimmick movies
Batman: Mask of the Phantasm (1993) – focused around The Animated Series, the film began handling as an immediate to-feature discharge, yet was at last changed into a showy release.[19] Although the film was not a money related accomplishment upon its starting discharge, it earned broad praise and has since turned into a business accomplishment through its different home feature releases.[20]
Batman & Mr. Solidify: Subzero (1998) – an immediate to-feature discharge, which was generated as a tie-into the 1997 film Batman & Robin, however because of the poor gathering of the real life motion picture, Subzero's discharge was deferred until the accompanying year.[21]
Batman: Mystery of the Batwoman (2003) – an immediate to-feature discharge focused around The New Batman Adventures.
Comic adaption and novelization
Primary article: Batman A
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